Issue No. 2 (2021)

Art. Motion in Time

Anna V. Lampasova

“The Masque of Blackness” by Inigo Jones as a Phenomenon of English Baroque Çeatre

Maria S. Berlova

Shimmer of Romanticism: Maria Taglioni’s Tour of Sweden

Vocal Parallels

Nadezhda A. Petruseva

Dusapen’s «Medeamaterial»: A new interpretation of the genre

Olga L. Denisova

“There’s only us…” On social importance of the musical “Rent”

Grand Ballet

Lola A. Kochetkova

Typology of the heroic role of Russian ballet. Çe creative practice of M. L. Lavrovsky

On Screens of the World

Anastasia V. Ryabokon

«Dead Christ» by Rainer Sarnet. Between post-Soviet and post-Dostoevsky

Alexander P. Liusyi

Dream machine in urban intertextual spaces

Gallery

Snezhana I. Fokina

Vasily Milioti as a theatrical costume designer. From graphics to stage

80 Years Since the Beginning of the Great Patriotic War

Alfiya F. Miroshkina

Music of the film «Hot Snow»: to study the Creative method of A. Schnittke

Maria V. Voronova

The echo of the Great Patriotic War in the Krasnoyarsk theatre life in the 1940th and 1960th

The Stage School

Polina E. Eliseeva

Michail Chekhov’s language toolkit creating the character of Eric XIV

Chronicle

Anatoly V. Akhreev

Traditions, schools, methodology: Çe Second “Knebel conference”