Issue No. 3 (2021)

Art. Motion in Time

Izabella I. Krylovskaya

Music theatre life of Harbin from 1920s to 1930s: On the materials of the Harbin periodic

Natalia S. Skorokhod

F. F. Rraskolnikov and V. I.Nemirovich-Danchenko: Two points of view on Leo Tolstoy’s novel “Resurrection”

Yuri B. Abdokov

Unknown Weinberg: Cantata “Hiroshima five-line stanzas”. Timbral poetics

The Film Archive

Natalie S. Ryabchikova

Vitold Akhramovich (Ashmarin) and Lev Kuleshov: At the inception of Russian film theory

Stanislav N. Dedinskiy

“The dark faith” by G.Boltyansky – a 1917 fiction film script, directed by V. Starevich

Kirill L. Goryachok

Elizaveta Svilova in Dziga Vertov ’s archival heritage

On Screens of the World

Artem N. Zorin

No. 2 after Leone. Quentin Tarantino’s “Once Upon a Time in… Hollywood” and the Spaghetti-Western intertextuality

Violetta D. Evallyo

The Aesthetics of chaos in Kira Muratova films of the 1980th – 1990th

GITIS. Dialogues about Profession

Grigoriy A. Zaslavskiy, Irina Y. Promptova

“The Teacher. The Torturer. The Savior”. On Russian School of Stage Speech

The Stage School

Elena A. Sarieva

“Reading the Crowd”. The Numerous Voices in the Stories of I. F. Gorbunov and V. F.Lebedev

Maximilian I. Nemchinsky

The way of paradoxes. The actual imagery of the Soviet Circus of the 1940-1960s

In memoriam

Karina L. Melik-Pashaeva

In memory of Rimma Georgievna Kosacheva