Issue No. 4 (2021)

Art. Motion in Time

Maria S. Berlova

Swedish school drama and its secularization in the 17th century

Andrey L. Yastrebov

Turgenev/Tolstoy. Compared portrait of writers: Extremes of being vs. reflection of mysticism

350 Years of Russian Theatre. Prologue

Tamara A. Sorokina

Make-up images of Mikhail Chekhov

Grigoriy A. Zaslavskiy, Iosif L. Raykhelgauz

“Many students nowadays know what master do they seek in GITIS”. On traditions of directing teaching

The Film Archive

Natalie S. Ryabchikova

Head of the Literary Department of A. Khanzhonkov’s Film Studio Maria Kallash-Garris and the Moscow Art Theatre

Kirill L. Goryachok

“Ankara – the heart of Turkey” by Sergei Yutkevich and Leo Arnshtam: the scropt, the concept, and the history of production

Open Space

Vladimir V. Shabalin

Close-up as compositional artifact in figurative structure of television frame

Elena A. Savitskaya

Swedish progressive rock of the 1970’s as a cultural phenomenon (On the example of “The Kaipa” band)

The Stage School

Vladimir V. Antipin

Modern dance at the Moscow academic choreographic school: Formation of the academic discipline

Maximilian I. Nemchinsky

The way of paradoxes. Russian circus in search of the actual imagery. 1970–2000th

In memoriam

Andrey M. Shemyakin

Razlogov: Contexts

Olga G. Tarasova

Yaroslav Danilovich Sekh (1930–2020)

Galina V. Dubovskaya

About Boris Grigorievich Plotnikov (1949–2020)