УДК: 792.071

DOI: 10.35852/2588-0144-2022-1-62-78

Full text (PDF): Download

Marina G. Litavrina

D. Sc. in Art Studies, Leading Researcher of Laboratory of Cultural History at History Department, Lomonosov Mоscow State University, University, professor of the Department of Russian Theatre History
Lomonosov Mоscow State University, Russian Institute of Theatre Arts (GITIS)
Moscow, Russia

Vladimir Sokolov: the American years

Abstract

Russian actor Vladimir Sokoloff (1889–1962) passed away in the US 60 years ago, in 1962. He was famous due to his achievements in European theatre and supporting character roles in numerous Hollywood films. Though he remained unknown in his own homeland. This phenomenon is typical with Russian émigré actors of so-called post-revolutionary cultural wave, which brought to foreign shores millions of Russian refugees. Unlike many of them, gone into nowhere, Sokolov (or Sokoloff in Europe) has gained international fame and continued successfully his professional career. According to some statistics, he performed characters of 35 nationalities and cooperated with world-known colleagues and directors, such as Doughlas Fairbanks, Greta Garbo, Gary Cooper, Antoni Quinn, Ernst Busch, Yul Brynner, and so on. But in Soviet Russia no one of ideologists or colleagues was eager to pay tributes to Vladimir Sokoloff (former Moscow Kamerny theatre virtuoso actor, a friend of Tsvetaeva and Marienhoff). No reviews were published in the Soviet press on his personal highlights abroad or simply talked about his films or outstanding theatre performances. Unless a highly appreciated by the Soviet spectators and officials international film star, Jean Marais, per chance stated in his interview to Soviet film weekly: Look, I was a pupil of your fascinating actor and outstanding teacher, “the great Sokoloff”. The journalists posed questions to film historians, as no one had a clear idea of “that great Sokolov”. This paper is published in memoriam of hardly known in Russia, but still outstanding actor.

Keywords

Vladimir Sokolov (1889–1962), Russian actor in exile, Kamerny theatre, European theatre of 1920–1930-s, Hollywood.

For citation

Litavrina M. G. Vladimir Sokolov: the American years. Theatre. Fine Arts. Cinema. Music. 2022, no. 1, pp. 62–78.

DOI: 10.35852/2588-0144-2022-1-62-78

References

  1. Marais J. Neyubileynyy Stanislavskiy [Non-jubilee Stanislavsky] In: Iskusstvo kino [Art of Cinema], 1963, no. 4, p. 116. 2.
  2. Metricheskoye svidetel’stvo V.A. Sokolova (kopiya vypisi). Svidetel’stvo o sostoyaniyakh [Metric certificate of V.A. Sokolov (copy of extract). Certificate of states]. TSIAM. F. 418. Op. 322. Yed. khr. 1656, L. 6. (SF, mikrofilm). 3. 
  3. Dom-Muzey Mariny Tsvetayevoy v Moskve [House-Museum of Marina Tsvetaeva in Moscow]. Dvortsy i usad’by [Palaces and estates]. 2013, no. 106, pp. 28–29. 
  4.  Litavrina M.G. Artist Moskovskogo Kamernogo teatra V.A. Sokolov v zarubezh’ye: k probleme professional’noy samorealizatsii russkikh akterov v emigratsii [Actor of the Moscow Chamber Theatre V.A. Sokolov in foreign countries: to the problem of professional self-realization of Russian actors in exile]. In: “…Glyadet’ na veshchi bez boyazni”. K stoletiyu Kamernogo teatra [“…Look at things without fear.” To the centenary of the Chamber Theatre]. Moscow: GII, 2016, pp. 251–277.
  5. Vaksberg A. Teatral’nyy detektiv. Lyubov’ i kovarstvo [Theatrical detective. Love and deceit]. Moscow: AST, 2007. 381 р.
  6. Apushkin J. Kamernyy teatr [Chamber theater]. Moscow-Leningrad: Кinopechat’. 1927. 63 р. 
  7.  Sokoloff. Ein Schauspieler erzählt aus seinem Leben. Uhu. Berlin, 1927/28. Bd.4, Heft 5. (Febr.) S. 94. 
  8. Diebold B. Tairoff und die Deutsche. RGALI. F. 2328. Op. 1. Item 415. (newspaper clipping). 
  9. Ross L., Ross H. Vladimir Sokoloff. In: The Player. A Profile of an Art. New York: Simon and Schuster, 1962, pp. 310–315. 
  10. Lunacharskaya-Rozenel N.A. Pamyat’ serdtsa. Vospominaniya [Memory of the heart. Memories]. Moscow: Iskusstvo, 1965. 479 р. 
  11. Markov P.A. V teatrakh raznykh stran [In theaters of different countries]. Moscow: VTO, 1967. 395 p. 
  12. Sboyeva S.G. Tairov: Yevropa i Amerika. 1923–1930. Zarubezhnyye gastroli Moskovskogo Kamernogo teatra [Tairov: Europe and America. 1923–1930 Foreign tours of the Moscow Chamber Theatre]. Moscow: Artist. Rezhisser. Teatr. 2010. 683 p. 
  13. Zarubezhnaya pressa o Kamernom teatre [Foreign press about the Chamber Theatre]. In: Kamernyy teatr. Stat’i. Zametki. Vospominaniya [Chamber Theatre. Articles. Notes. Memories]. Moscow: GIKHL, 1934, pp. 85–93. 
  14. Clurman H. On Directing. New York: Simon and Schuster, 1997. 336 р.
  15. Garrett B. Betty Garrett and other Songs: A Life on Stage and Screen. New York: Madison Books, 1999. 360 р. 
  16. Vozrozhdeniye [Revival]. Paris, 1932. 15 July. 
  17. Theatre Arts Monthly. New York, 1928. Vol. XII. no. 4, pp. 256–262. 
  18. Cry “Havoc!” and Let Slip the Dogs of War. Speech analysis. Available from: http://nosweatshakespeare.com>cry-havoc/
  19. Cry Havoc!: Little Theater’s Big Hit. Time. New York, 1942. 11 February. 
  20. Robinson H. Russians in Hollywood, Hollywood’s Russians. Biography of an Image. Boston: Northeastern Publishers, 2007. 304 р. 
  21. Morley Sh. John Gielgud. The Authorized Biography. London: Hodder & Stoughton, 2001. 510 р. 
  22. Nathan G.J. Crime and Punishment. In: The Theatre Book of the Year: 1947/48. A Record and Interpretation, p. 194. 
  23. Lindsey-Hogg M. Luck and Circumstances. A Coming Age in Hollywood, New York, and Points Beyond. New York: Alfred A. Knopf Publ., 2011. 290 р. 
  24. Jan Murrey to debut in off-Broadway role. The Milwaukee Sentinel, 1959, 25 September, part 2. 
  25. Vladimir Sokolov [Obituary]. In: Novoye russkoye slovo. N’yu-York, 1962. 17 fevralya. Gazetnaya vyrezka: Arkhiv-Muzey Doma russkoye zarubezh’ye imeni A.I. Solzhenitsyna (Moskva) [New Russian word. New York, 1962. February 17. Newspaper clipping: Archive-Museum of the House of Russian Abroad named after AI Solzhenitsyn (Moscow)]. Fond 17. Albomy A. Kalugina: Nekrologi. L. 60.
  26. Vladimir Sokoloff, Character Actor, Dies. Obituary. The Modesto Bee Page. Associated Press, 1962. February, 16. 
  27. Lewis R. Method or Madness? The highly acclaimed lectures on the Method School of Acting. New York; Toronto; Hollywood Samuel French Inc., 1958. 165 р.
  28. Vladimir Sokoloff. The Hell with all the Acting Theories. Available from: http://MovieMorlocks.com/2010/01/06/vladimir-sokoloff-the-hell-with-actng-theories/
  29. Stasio M. Legit Review: ‘Nikolai and the Others’. Available from: http://variety.com/2013/legit/reviews/legit-nikolai-and-the-others-1200465975/

Received: 12.01.2022

Revised: 02.02.2022

Accepted: 11.02.2022