Issue No. 2 (2022)

World as a Stage

Maxim M. Gudkov

Leonid Snegoff as Vakhtangov’s follower in the USA and his Broadway production of Dmitry Scheglov’s play “The Blizzard”

Izabella I. Krylovskaya

Amateur Musical Theatre of the Russian Far East (1940s – 1980s)

350 Years of Russian Theatre

Irina Yu. Lyubivaya

Premonition of disaster: The traditions of Chekhov’s drama in the play by T. L. Shchepkina- Kupernik “Happy Woman”

The Film Archive

Natalie S. Ryabchikova

Early Film Work of Vitold Akhramovich. 1913–1918

On Screens of the World

Yuri B. Abdokov

The film music by Boris Tchaikovsky: “Timbral optics” and “Visual acoustics”

Vocal Parallels

Mikhail V. Anestratenko

Concertmaster’s and actor’s algorithm while working on the role-part in the tradition of Russian music theatre in the 20th century

Open Space

Igor А. Bogdanov

Entertainment art: Old “new” genre and problems

The Stage School

Maximilian I. Nemchinsky

Сircus performance as an indicator of the figurative opportunities of the arena

Aleksander A. Barmak

Pro Testamentum. On methodology of acting and directing mastership