Issue No. 3 (2022)

Folk Art

Irina L. Еgorova

The Russian tradition of “playing songs” as a phenomenon of folk performance

Liliya A. Vishnevskaya

The world of nature in the traditional music of the North Caucasus (as exemplified in Adyghe, Balkar and Karachai folk songs)

Nodar V. Tchanba

Music in the Nart epic and Nart songs

Art. Motion in Time

Sergei A. Shul’ts

Lermontov’s “Masquerade” and Shakespeare’s dramaturgy (“Othello”, “Cimbeline”, “The Winter Tale”): On the of artistic anthropology

Maria S. Berlova

A theoretical look at the main characters in A. Strindberg’s historical drama

Anna P. Sologub

On the history of the director’s theatre in Spain: “Medea” by Cipriano de Rivas Cherif in the Roman Theatre of Mérida (1933)

The Film Archive

Stanislav N. Dedinskiy

Gennady Shpalikov enters animation: Documents related to the production history of “There Lived Kozyavin”

On Screens of the World

Natalia G. Krivulya

Allusion as an element of intertextuality in animated films

Open Space

Marina E. Vilchinskaya-Butenko

Street art and theatre: the pervasive art of JR

Chronicle

Anatoly V. Akhreev

The methodology of “active analysis” and the heritage of the Leningrad theatre school: The Third “Knebel readings”

Review

Grigoriy A. Zaslavskiy

The Superplot for a story