Issue No. 4 (2022)

350 Years of Russian Theatre

Izabella I. Krylovskaya

Russian musical theatre traditions within the Russian emigration culture of the Far East

Elena A. Sarieva

A screen on Russian theatre stage. First attempts

Vera S. Pilgun

Directing method of Igor Terentiev

Margarita M. Odesskaya

Hedda Gabler on the Russian Stage: A Life Through Time

Alexander G. Kolesnikov

Finding the Past. To the Problem of Staged Reconstruction of the Ballet Heritage

Art. Motion in Time

Abul Basher MD Ziaul Haque Bhuyan

The synthesis of tradition in contemporary theatre of Bangladesh: “The theatre of roots”

Elena A. Vdovina

Nikolai Volkonsky – the director of radio drama

The Film Archive

Kirill L. Goryachok

Dziga Vertov and Sergei Eisenstein: on the history of rivalry

Grande Ballet

Alan T. Kokaev

“Khetag” ballet and the formation of the Ossetian tradition of ballet art

Open Space

Biography of elusive vitality: I. Turgenev’s extrapolation of age-related sorrows on the feeling of the characters

Timur F. Akshentsev

Theodoros Terzopoulos’ method as an independent acting school

Chronicle

Alexey V. Bartoshevich

Named after Chekhov. For the thirtieth anniversary of the International Theatre Festival

Review

Nina A. Shalimova

Enlightened Theatre Studies of Boris Lyubimov

Anniversary

Larisa G. Rubanova

Soul of the dance. To the anniversary of Olga Tarasova