Issue No. 2 (2023)

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Russian Тhеаtre History

Marina G. Litavrina

American vacations in Russian village. (Russian classics on foreign stage: problematic dialogue and the role of interpretеrs)

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Maxim M. Gudkov

Incorporation of Vsevolod Meyerhold’s theatrical ideas into the stage practice of the USA: The directorial activity of Herbert Biberman

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Mikhail G. Zaslavskiy

The System of Party-State Management of the Theatre in the USSR in 1932–1939

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Art. Motion in Time

Alexander G. Kolesnikov

Franz Lehár's vocal cycle “Aus eiserner Zeit” and the Facets of Austrian Patriotism 1914–1918

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Yuliya V. Novokhatskaya

The problem of folk religiosity in the creative work of Dario Fo

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Grand Ballet

Elena A. Andrienko

Tchaikovsky and Petipa Ballet “Sleeping Beauty” and the Mechanism of Professional Formation of the Artist

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Kseniia V. Popova

The interrelation of literature and choreography in the ballets of John Neumeier “Death in Venice” and “Anna Karenina”

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The Film Archive

Natalie S. Ryabchikova

The beginning of “The Beginning”. Excerpts from the discussion of the screenplay by E. Gabrilovich and G. Panfilov

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The Stage School. The Year of Teacher and Mentor

Timofey I. Sopolev

Exercises and Stage Studies with Music by First-Year Students of the Acting and Directing Courses

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Anastasia V. Kovaleva, Elena A. Kriklenko, Elena N. Likhomanova, Natalia E. Shurganova, Victor A. Nizhelskoy

The relationship between the quality of reading by students-actors and their level of neuroticism and preferred coping strategies

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Review

Artem N. Zorin

Turgenev’s Shakespear. “Neither on the black side, nor on the white”

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