The interrelation of literature and choreography in the ballets of John Neumeier “Death in Venice” and “Anna Karenina”
Abstract
Interpretation of literary works of various genres is an important direction in the work
of choreographer John Neumeier. His staging strategy is based on careful work
with the literary text. The performances created by Neumeier are not just an illustration of the original plot, but show new angles of adapting classical literature into
the form of a ballet performance. Thе article studies two of his productions: “Death
in Venice” (2003) based on the novella by Thomas Mann and “Anna Karenina” (2017)
based on the novel by Leo Tolstoy. The choice of these ballets was determined by the
interest in researching the methods of choreographer’s adaptation of the literary texts
that were not written to be staged. Neumeier brought “Death in Venice” closer to the
world of ballet by the method of transferring the main character’s sphere of activity from
literary to choreographic, which made it possible to visualize similar internal processes
of creative activity. The ballet “Anna Karenina” was interpreted by the choreographer
according to the current socio-cultural situation, which increased the emphasis on eternal
themes in Tolstoy’s text. The analysis of the interrelation between the literary, musical
and choreographic foundations of Neumeier’s performances makes it possible to reveal the main methods of his work with the literary source, to determine the features of
the artistic thinking of the choreographer.
Keywords
Ballet theatre, choreography, choreographic interpretation, Neumeier, “Death in Venice”,
“Anna Karenina”.
For citation
Popova K. V. The interrelation of literature and choreography in the ballets of John Neumeier “Death in Venice” and “Anna Karenina”. Theatre. Fine Arts. Cinema. Music. 2023, no. 2, pp. 135–149.
DOI: 10.35852/2588-0144-2023-2-135-149
EDN THHGYW
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Received: 03.06.2022
Revised: 30.04.2023
Accepted: 10.05.2023