Issue No. 3 (2023)

Art. Motion in Time

Natalia S. Barsova

Moscow — Cairo. Egyptian Stage Folk Dance: Legacy of Soviet Choreographers

Mikhail V. Stroganov

What has Little Red Riding Hood Done to You? Cartoon Story

Yuri B. Abdokov

A Lurking Terrain by Margarita Kuss: Orchestral Style and Timbral Poetics

Alexey V. Bartoshevich

Two Great Performances. А Theatre Experience

Russian Theatre. Metaphysics of Memory

Alexander A. Chepurov

The Breath of the Universe. Epic-dramatic Structures in 19th Century Russian Drama

Elena V. Shakhmatova

Ancient Theatre as a Utopian Project of the Silver Age Passéisme

Izabella I. Krylovskaya

Imperial Outskirts. Opera in the Far East in the Period Between Two Wars: 1906–1914

Anastasia O. Kazmina

The Philosophical Code in the Performances Staged by Anatoly Efros of the 1960s

The Film Archive

Kirill L. Goryachok

The Story of a Comission: How Esfir Shub and Dziga Vertov Worked on a Film for the Tenth Anniversary of the Revolution

Open Space

Tatiana A. Tsvetkovskaya

Musica Elettronica Viva. Musical Participation in the Experiments of 1960s

Galsana S. Dorzhieva

East — West. The Interaction of Opposite of Artistic Systems in the Buryat Ballet Theatre

The Stage School

Irina V. Azeeva

“Talent is Rare and Fragile”: Viktor Gvozditsky — Student of the Yaroslavl Theatre School

Chronicle

Ekaterina S. Loseva-Demidova, Tatiana N. Zaytseva, Victor A. Nizhelskoy

Rehabilitation. Art. Pedagogy. 3rd International Online School on the Physiology of Expressive Movement