Issue No. 4 (2023)

Russian Тhеаtre History

Nina A. Shalimova

Postmodern Versions of A.N. Ostrovsky’s “Life Plays”: Towards the Problem of the Stage Chronotope

Anna A. Stepanova

The Beginning of the War. Evacuation. Return to Moscow. Admission to the Theatre Studio. Materials for the Biography of A.V. Efros (1941–1943)

Art. Motion in Time

Maxim M. Gudkov

The Power of Darkness in the American Way: The Premiere Production of Leo Tolstoy’s Play on Broadway

Alla A. Baeva

Russian Opera of the Last Decades of the 20th Century through Wagner's Ideas: Tiriel by Dmitriy Smirnov

Alexander A. Chepurov

On the Metaphysics of the Theatre. About the Actual Trends in Theatre Studies

Open Space

Ekaterina I. Zviagina

Eroticism in the Plays of Victor Rozov (To the Problem of Choosing the Characters)

Gallery

Yanna S. Knyazeva

Art of the Second Half of the 20th Century on Music, Theatre and Cinema: A.P. Levitin’s Portraits of the Art Figures

The Stage School

Marina G. Litavrina

Escape From the Garden (Hommage to Chekhov’s The Cherry Orchard 120th Anniversary)

Alexander G. Kolesnikov

Profession and Art Position. From the History of GITIS Pedagogy: Joseph Tumanov, Yuliy Khmelnitsky, Matvey Osherovsky in the Memoirs of Yuriy Drozhnyak

Victoria S. Kosenko

Formation of Intonation Expressiveness at the Lessons of Stage Speech: from a Sound to a Word

GITIS. Dialogues about Оstrovcky

Grigoriy A. Zaslavskiy, Igor G. Konyaev, Mikhail D. Mokeev, Murat M. Abulkatinov, Pavel E. Lubimtsev, Sergey I. Yashin, Sergey M. Kovalchik

Alexander Ostrovsky's Plays as a Verbatim Theatre of the 19th Century. Mainstreaming and Tradition

Review. The Year of Teacher and Mentor

Aleksey I. Burachenko

Leonid Fedorovich Makariev — Actor, Teacher, Scholar: a Student’s View

Maksim A. Semyonov

The Subjunctive Mood: Conversations without Ceremony