Issue No. 1 (2024)

Art. Motion in time. Ostrovsky

Petr N. Gordeev

Ostrovsky’s House and the Revolution: The Maly Theatre in October 1917 — January 1918

Natalia S. Grigoreva

In Defense of The Snow Maiden: Critics about the First Performance of Soviet Opera House in Saratov in 1918

Alexander Ostrovsky's Plays Of 1850–1865 In Kazan Theatre Criticism Of The Last Third Of The 19th Century

Viktor I. Kosik

Alexander Ostrovsky on the Balkan Stage

Aygul R. Salikhova

A.N. Ostrovsky’s Dramaturgy and the Tatar Theatre

Artem N. Zorin

Posthumanist Tendencies in Modern Interpretations of Ostrovsky’s Plays on the Russian Stage

Vera V. Serdechnaia

Ostrovsky on the Krasnodar Theatre Stage in 2022–2023: Dynamics of Interpretative Approaches

Russian Тhеаtre History

Boris N. Lyubimov

About Pavel Markov: Art Historian and Critic, Theorist and Practitioner of Theatre

Open Space

Maria S. Berlova

The Swedish Fop by Carl Gyllenborg — Swedish Comedy’s Secret of Success as a Theatre (1737–1754)

Aleksey O. Bezzubikov

Mythological Logic in Alexey Balabanov’s Films

Vocal Parallels

Izabella I. Krylovskaya

Traditions of the Russian Сlassical Theatre and the Opera A Conversation between a Man and a Dog by A.V. Novikov (Based on A. Chekhov’s Story)

Gallery

Aleksey G. Dunaev

N.M. Tarabukin about Mikhail Larionov (1923)

Review

Elena G. Korotkevich

The First Book about Nikolai Mikhailovich Tarabukin (1889–1956)

Chronicle

Alexander G. Kolesnikov, Elena V. Shakhmatova

Stanislavsky and Musical Theatre