Issue No. 2 (2024)

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Editorial

Artem N. Zorin

An Experience of Theatre Anniversaries

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Russian Thеаtre History

Alexander V. Naumov

Music in the Performances of the First Studio of Moscow Art Theatre: from La Marseillaise to Jester’s Song (1913–1917)

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Victoria A. Tripolina

Spoken Word in M. S. Shchepkin’s Art Work

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Nadezhda V. Stoeva

Cubists of Gesture: Vadim Shershenevich about Theatre Actors of 1920s

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GITIS.Dialogues about Оstrovsky

Egor M. Peregudov, Grigoriy A. Zaslavskiy

Once Upon a Time Ostrovsky and I

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Open Space

Kristina N. Matvienko

Theatre Itself or the Theatre for the Audience: The Problem of Taking Part in the Participatory Performance

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Vocal Parallels

Baeva Alla Aleksandrovna

Metamorphoses of the Genre: Notes on Contemporary Russian Opera

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The Film Archive

Stanislav N. Dedinskiy

Marlen Khutsiev’s Early Theoretical Views and His Subsequent Directorial Practice

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On Screens Of The World

Natalia P. Balandina

Franco-Italian Laughter. The Development of French and Italian Film Comedy in the 1950s

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Vyacheslav V. Marusenkov

Screen Image of Sports Achievement in the Context of the Formation of Modern Sociocultural Paradigm

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The Stage School

Victor N. Zatsepin

V. G. Gaidarov's Philosophical Project on Combining K. S. Stanislavsky’s System with I. P. Pavlov’s Reflexology

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Review

Alexander G. Kolesnikov

If You Have a Biography, You Need a Destiny

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In Memoriam

Marina G. Litavrina

Vera, One of the Chekov's Kin

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