Issue No. 3 (2024)

10.35852/2588-0144-2024-3
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Editorial

Grigoriy A. Zaslavskiy

Meyerhold and Theatre of the Future

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Russian Тheatre History. Meyerhold

AlexanderA. Chepurov

Meyerhold and the Creation of the Stage Score

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Petr N. Gordeev

The Director and the Revolution: V.E. Meyerhold's Public Activity at the Mariinsky Theatre at the turn of 1917 and 1918

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Natalia A. Osis

Meyerhold and Mayakovsky — mutual influence in Mystery-Bouffe

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Diana R. Bikkulova, Vera S. Pilgun

At Us the Europe!: The Principle of Transformation in the Performance by V.E. Meyerhold (On the Centenary of the Premiere)

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Natalie S. Ryabchikova

Sergei Eisenstein’s “Confusion of Feelings”: Overcoming Apprenticeship Though the Biography of the Teacher

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Art. Motion in Time. Meyerhold

Dmitry V. Trubochkin

Meyerhold and Antiquity

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Maxim M. Gudkov

“A Man of Soviet Orientation” — American Impresario Sidney Ross

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Alina S. Mikhailenko, Elena N. Penskaya

Meyerhold and German Cabaret Actors of the 1910s

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Elena A. Vdovina

Meyerhold on Radio: Little-known Pages of the Master's Creative Biography

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Stanislav A. Vasilyev

The Сreative Legacy of Vsevolod Meyerhold and the Formation of Aesthetics of Jerzy Grotowski

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Kristina N. Matvienko

Theatricalization of Life as a Method of Transformation in the Avant-Garde Practices of Vsevolod Meyerhold and Contemporary Social Theatre

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110th Annirversary of First World War

Alexander G. Kolesnikov

The Music Dedication of Franz Lehár to the Austrian War Prisoners in Russia. 1915–1917

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Open Space

Yuri B. Abdokov

Boris Tchaikovsky: Youth Quartets. The Experience of Discovering the Unknown Scores

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World is a Stage

Elena G. Khaitchenko

Travesty, or the Importance of Being Serious. On the Development of the Genre in English Drama

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