УДК: 792.075+792.03

DOI: 10.35852/2588-0144-2024-3-175-186

EDN: UTDCCH

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Kristina N. Matvienko

Cand. Sc. in Art Studies, Head of Social Theatre Master’s Degree
Russian State Institute of Theatre Art (GITIS)
Moscow, Russia

Theatricalization of Life as a Method of Transformation in the Avant-Garde Practices of Vsevolod Meyerhold and Contemporary Social Theatre

Abstract

The ideas and innovations of Constructivist practices by Vsevolod Meyerhold and his contemporaries have significantly influenced the techniques and approaches of contemporary social theatre. The Constructivists’ focus on life-building closely aligns with the philosophy of social theatre, which is grounded in the potential to change the world for the better. The 1920s’ drive to make the stage a democratic space for dialogue and free self-expression, allowing individuals to be heard, also mirrors the foundational principles and new practices of social theatre. Modern tendencies often relate to the principles of their indirect predecessors — the ideas and practices of the Russian avantgarde. However, distinctions are evident: the utopianism of early Soviet artists and the pragmatic idealism of contemporary social theatre practitioners are not the same. While both movements share a belief in theatre as an art form capable of transforming life, they also differ significantly; time has not only introduced corrections but has profoundly altered the political agenda. The social orientation of theatre, emerging at different historical moments, influences both its place in public life and its language. By infusing their artistic activities with life-creating energy, the creators of such projects inevitably expand the traditional boundaries of performance, moving toward a more concrete structure, rather than a purely conventional framework.

Keywords

Meyerhold, Soviet avant-garde, Constructivism, social theatre, participatory art, forum theatre, utopia.

For citation

Matvienko K.N. Theatricalization of Life as a Method of Transformation in the Avant-Garde Practices of Vsevolod Meyerhold and Contemporary Social Theatre. Theatre. Fine Arts. Cinema. Music. 2024, no. 3, pp. 175–186.

DOI: 10.35852/2588-0144-2024-3-175-186

EDN UTDCCH

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Received: 10.07.2024

Revised: 23.07.2024

Accepted: 31.05.2024