Editorial and Censorship Practices in the Scientific Films of the “Malokartin’e” (Film Anemia) Period. The Case of Editorial Department of “Lennauchfilm” Studio
Abstract
In the post-war years, the harsh rules of cinematic censorship led to the so-called “film anemia” (malokartin’e) — a policy of cutting down the number of film productions with a goal
of creating a small number of masterpieces each year. Unlike fiction films, scientific cinema
remained a relatively free field in terms of aesthetic expression, attracting many filmmakers
who did not have the opportunity to work on the mainstream film productions. This article
examines the specific institutional conditions in which popular science and educational films
of 1946–1953 were produced. The study is based on the archives of the “Lennauchfilm”
studio. The authors analyze editorial practices, the interactions between literary editors,
scriptwriters and directors (in particular, upon the example of the professional practice of
E.E. Mandelstam, editor of “Lennauchfilm” and brother of the poet O.E. Mandelstam), as
well as the studio's Arts Counsil and the professional values that were reflected in its discussions. These materials allow to draw conclusions about the ambivalent position of scientific
cinema in the Soviet film production system. They also make it possible to see the key role
played by the turn towards popular science in the post-war years in shaping the identity of
Soviet scientific cinema.
Keywords
Popular-science films, “film anemia”/“malokartin’e”, history of censorship, soviet cinema,
Eugene Mandelstam.
For citation
Dymshitc S.V. Editorial and Censorship Practices in the Scientific Films of the “Malokartin’e” (Film Anemia) Period. The Case of Editorial Department of “Lennauchfilm” Studio. Theatre. Fine Arts. Cinema. Music. 2025, no. 1, pp. 141–157.
DOI: 10.35852/2588-0144-2025-1-141-157
EDN UKVLAZ
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Received: 26.02.2024
Revised: 12.12.2024
Accepted: 15.12.2024