УДК: 821.112.2(494)-2+821.161.1-2
DOI: 10.35852/2588-0144-2025-3-135-156
EDN: GBDCWY
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F. Dürrenmatt’s Drama in the Light of A. Chekhov’s Themes: Uncle Vanya and The Physicists
Abstract
The works of A.P. Chekhov had a significant impact on world literature of the 20th century,
which is the subject of a number of studies. Though the comparative line Chekhov — Durrenmatt
both in Russian and foreign literary studies remains undeveloped. From Durrenmatt’s essay
it is known that he was familiar with Chekhov’s drama and prose. A representative example of the Swiss playwright’s perception of Chekhov’s images and motifs is the comedy
The Physicists (1961), which takes place in the former estate The Cherry Orchard. The report
attempts to bring Durrenmatt’s comedy closer to the play Uncle Vanya (1897). The problematic of both plays deals with the illusory nature of man’s position in the world and leads to the
images of the heroes (Sonya in Chekhov’s play, Moebius in Durrenmatt’s one). They embody
the author’s ideals: philanthropists, victims of a merciless world, experiencing an epiphany
and revelation of the true state of affairs. The plots of the plays are built on the exposure of
the “masters” of life, Professor Serebryakov and the head doctor Matilda von Zand, and of
reality itself, ending with significant monologues. The labyrinth-space and picturesque stage
directions become metaphors for disparate human relationships.
Keywords
Chekhov, Durrenmatt, Uncle Vanya, The Physicists, motif of illusion, image of the victim,
labyrinth chronotope, dramatic innovation.
For citation
Daniil E. Panov. F. Dürrenmatt's Drama in the Light of A. Chekhov's Themes: Uncle Vanya and The Physicists / Theatre. Fine Arts. Cinema. Music. 2025, no. 2, pp. 135–156.
DOI: 10.35852/2588-0144-2025-3-135-156
EDN GBDCWY
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Received: 11.06.2025
Revised: 24.07.2025
Accepted: 12.08.2025