Issue No. 4 (2025)

ART. MOTION IN TIME

Mikhail V. Stroganov

Tolstoy’s Anniversary of 1908 in Caricature

Maria S. Berlova

Värmlänningarna: Dreams of the Lost Paradise and Swedish National Romanticism

RUSSIAN ТHЕАTRE HISTORY

Ivan O. Volkov

The Merchant “King Lear” of A. N. Ostrovsky. To the Question of the Shakespearean Tradition in the Comedy It’s a Family Affair — We’ll Settle It Ourselves

THE OLD NEW SINCERITY. OLEG TABAKOV ON THE SCREEN

Natalie S. Ryabchikova

Sasha Isn’t Coming Out. From the Production History of Mikhail Shveitser’s film Sasha Enters Life / The Tight Knot (1957/1988)

Natalia G. Krivulya

Searching for a Mask. The Creative Path of Oleg Tabakov in Animation

GalinaA. Belyaeva, Vadim Yu. Mikhailin

In front of the Мirror: The New Faces of Russian Intelligencia in Soviet Сinema of the Late 1970s and Early 1980s

EFROS. CENTENARY

Anastasia O. Kazmina

The Artist's Image in Anatoly Efros's Performances The Tempest and The Theatre Director

Elizaveta S. Keshisheva

The Idea of Our Own Guilt. A.V. Bartoshevich’s Monologue about Anatoly Efros

VOCAL PARALLELS

Tatiana K. Egorova

Film and Opera: Difficulties of Translation

Dana A. Nagina, Irina P. Susidko, Nina V. Pilipenko

Opera in Focus of Two Studies (on the Materials of Russian Periodicals 2023–2025)

THE STAGE SCHOOL

Anastasia V. Petrakova, Tatiana А. Lykova

Personal Qualities of a Modern Actor-Student: to the Problem of Imagination

OPEN SPACE

Nina A. Shalimova

Commissioner Pierrot. Notes on the Creative Personality of Vs.E. Meyerhold

CHRONICLE

Artem N. Zorin

Around the Thaw. Tabakov, Efros, and Others in New Scientific Interpretations