Issue No. 1 (2026)

RUSSIAN ТHЕАTRE HISTORY

AlexanderA. Chepurov

Variability of Performance Space in the Productions of Valery Fokin

Pavel N. Pronin

On the Issue of Semiotic Analysis of Anatoliy Vasiliev’s Performing Structures

ALEXANDER TAIROV THEATRE

Andrei V. Tolshin

Peculiarities of Actor Training at the Theatre School of the Moscow Kamerny Theatre

Dmitry N. Zhatkin, Vera V. Serdechnaia

Defoe, Milton, and Kazakhstan: a Stage History of V. Kaverin’s Play The Taming of Mister Robinson, or Paradise Lost

Nadezhda V. Stoeva

The Phenomenon of Irony in the Dramaturgy of Vadim Shershenevich

Yulia V. Savikovskaya

A Сhamber Сase or an Attempt at Renewal? The Babylonian Lawyer Based on the Play by Anatoly Marienhof at Kamerny Theatre

ART. MOTION IN TIME

Bo Chen, Elena N. Penskaya

The Spilled Cup (Moscow Satire Theatre, 1952): Narrative Adaptation and Stylization of Chinese Classics as an Experience of Intercultural Dialogue

ON SCREENS OF THE WORLD

Natalia P. Balandina

The Art of Bourvil as a Reflection of Social Life in France From the Late 1940s to the 1960s. Pride and Prejudice of the French Provinces

OPEN SPACE

Victor I. Tkachev

The Crisis of Humanism in the World Theatre: from Muller to Brecht

REVIEW

Alexander G. Kolesnikov

World Opera: Ways of Understanding