УДК: 791.43.01+791.44.071.1
DOI: 10.35852/2588-0144-2024-2-116-139
EDN: MGYATG
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Marlen Khutsiev’s Early Theoretical Views and His Subsequent Directorial Practice
Abstract
The article presents materials from Marlen Khutsiev’s explanatory note to the lost joint graduation
film of Khutsiev and Feliks Mironer Town Planners (1950). The theoretical part of the
graduation film from the collection of the Russian State Archive of Literature and Art contains
the aspiring filmmaker’s detailed account about the circumstances of the development of
the shooting script, filming, editing, and the use of music in Town Planners, as well as his
early views on the theory and practice of cinema. Due to this text, we can understand how
the fundamental work principles of the future classic of Soviet cinema were formed in their
general parameters, what connection exists between his graduation project and the films
Spring on Zarechnaya Street, Ilyich’s Gate, July Rain, and It Was in May, and why Khutsiev
did not write theoretical works subsequently, even after starting to teach at VGIK. The article
contains previously unpublished excerpts from various texts about the work of Marlen
Khutsiev (Victor Demin’s unfinished book Khutsiev, Leonid Kozlov’s unfinished interview with
Khutsiev on the topic of “the language of cinema”, etc.).
Keywords
Marlen Khutsiev, Feliks Mironer, Town Planners, Spring on Zarechnaya Street, Ilyich’s
Gate, I am Twenty, It Was in May, Pushkin, VGIK, Victor Demin, Leonid Kozlov,
Boris Vengerovsky.
For citation
Dedinskiy S. N. Marlen Khutsiev’s Early Theoretical Views and His Subsequent Directorial Practice. Theatre. Fine Arts. Cinema. Music. 2024, no. 2, pp. 116–139.
DOI: 10.35852 / 2588‑0144‑2024‑2-116-139
EDN MGYATG
References
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Received: 16.04.2024
Revised: 06.05.2024
Accepted: 14.05.2024